PrehistorInk marks a return to ink through anatomical study and restrained reconstruction.
Each work begins with close observation of skulls and skeletal structures, developed through comparative reference to extant reptiles and birds. From this foundation, form, mass, and posture emerge through reduction rather than speculation.
Ink is used as a disciplined medium: line establishes structure, while layered tonal washes suggest volume and physical presence without excess.
Situated between observation and interpretation, the works treat prehistoric animals not as spectacle, but as quiet, reconstructed presences shaped by attention and restraint.
