The crane occupies a central position within the series, both formally and emotionally. Its curved posture suggests introspection and continuity, allowing the form to unfold slowly within the surrounding space.

This work is grounded in direct experience. Time spent in Hokkaido, particularly in Kushiro — known for its red- crowned crane populations — established a lasting connection to the animal. Rather than functioning symbolically, the crane becomes a distilled presence shaped by observation, memory, and restraint, anchoring the series in lived experience.